Goals
Once you have
reviewed your musical values, you can set your goals. If values are your
compass, directing where you go, goals are the map and the specific plan for
exactly how to get there in a behavioural, descriptive way.
Goals can
increase motivation, confidence and focus on the task by defining exactly what
to work on and what to prioritize. Goal setting is a primary focus in my
lessons for this reason. But just setting goals isn’t magical. Emotionally
connecting to why the goal is important provides the motivation, confidence,
and focus necessary to ultimately succeed.
Identifying your
musical values alone isn't sufficient to succeed either. You may know that you
value quality practice, for example, but without setting goals your values
won’t direct you toward a particular achievement. Goals provide the necessary
direction of our energy and actions.
In music, goals
that seem to have the greatest effect are moderate in difficulty—challenging
but realistic. Neither improbable, difficult goals nor easy goals show any
effect on performance. Easy goals don’t push you. You protect your self-esteem
with easy goal achievement, but you don’t get very far. On the other hand,
setting really difficult goals doesn’t work either. Failure always feels bad,
and unmet expectations are disappointing. And who has the motivation to go
after goals you are likely to fail at?
In music,
absolute goals show the greatest improvement in performance. Absolute goals are
specifically defined outcomes— winning an audition, for example. It’s absolute
because you either do it or you don’t. Only one person can achieve this goal.
Relative goals
are goals that are based on personal improvement relative to prior
performances—performing at a higher tempo, for example. Relative goals are also
linked to performance improvement, but not as strongly as absolute goals
are.
In general, “do
your best goals” are about as useful as relative goals. They inspire effort and
focus but aren’t as effective as having a specific, targeted outcome to improve
performance.
Research
indicates that both short-term and combined short and long-term goals improve
performance the most. But long-term goals alone do not.
This makes
practical sense. You can certainly have an idea of what you want in the future,
but without a practical plan in the short term, you won’t take the immediate
steps necessary to move you in that direction. Linking short and long-term
goals for both practice and performance sets out a solid plan for achievement,
with the long-term goals providing meaning to those short-term, ideally daily,
action steps.
Question to
Consider:
Set short and
long-term outcome, performance, and process goals for each of the musical values
you identified in my previous blog.
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